Tuesday, December 11, 2012 Tuesday, September 11, 2012 Monday, September 10, 2012

sighs and signals

wiesterneleuchtend:

 I always feel that which I don’t 

                                        want to hear

 like your breath along my neck

                                   a Morse code of respiration 

                                               ”you’re not her

                                                            you’re not her

                                                                       you’re not her”

Thursday, May 17, 2012

Inescapable Destiny

A nomadic voyage, a heart’s quest

Quiet and alone were an attractive option

But your music makes me dance

Your beauty induced a trance

What do I have to offer, but this heart

I could swim the sea to you

I can drown 

or take this love to my last breath

The warmth while holding you, oh….

creates an infinite confirmation

My moist eyes looking into yours are not sad,

no…

I’m jubilant and thankful

You held resilient to your promise 

and gave all that you are

I was lost and you restored me

My caramel coated aspirations live 

in memories

Dark brown eyes and a body of firm silk

my hands and soul are deprived of you

My heart’s demise begins one minute apart

A day or more is torture lancing outward 

through my flesh

Inspirations defeat all lucidity

I need you

Every future thought, you are there

Your motivated smile is a victory for me

and I can smile

My endless home is now wherever you are

Scott Mitchell

09 August 2011

Tuesday, March 27, 2012

I had drawn my chair to the hotel window, to watch the rain.

I was in a kind of dream or trance—
in love, and yet
I wanted nothing.

It seemed unnecessary to touch you, to see you again.
I wanted only this:
the room, the chair, the sound of the rain falling,
hour after hour, in the warmth of the spring night.

I needed nothing more; I was utterly sated.
My heart had become small; it took very little to fill it.
I watched the rain falling in heavy sheets over the darkened city—

You were not concerned; I could let you
live as you needed to live.

At dawn the rain abated. I did the things
one does in daylight, I acquitted myself,
but I moved like a sleepwalker.

It was enough and it no longer involved you.
A few days in a strange city.
A conversation, the touch of a strange hand.
And afterward, I took off my wedding ring.

That was what I wanted: to be naked.

Louise Glück, “Eros” (The Seven Ages, Ecco, 2001)

(Source: gammasandgerunds)

snagamat:

borges by Solnabanya on Flickr.
If I could live again I would start going barefoot when spring comes and not stop till fall’s long gone. I would walk down more side streets, contemplate more dawns, and play with more children, if I had my life ahead of me again.

snagamat:

borges by Solnabanya on Flickr.

If I could live again I would start going barefoot
when spring comes and not stop till fall’s long gone.
I would walk down more side streets, contemplate more dawns,
and play with more children, if I had my life ahead of me again.

(Source: englishforums.com)

The brightest stars are the first to explode. Also hearts.
It is important to pay attention to love’s high voltage signs.
The mockingbird is really ashamed of its own feeble

song lost beneath all those he has to imitate. It’s true,
the Carolina Wren caught in the bedroom yesterday died
because he stepped on a glue trap and tore his wings off.
Maybe we have both fallen through the soul’s thin ice already.
Even Ethiopia is splitting off from Africa to become its own
continent. Last year it moved 10 feet. This will take a million years.

There’s always this nostalgia for the days when Time was
so unreal it touched us only like the pale shadow of a hawk.
Parmenedes transported himself above the beaten path of
the stars to find the real that was beyond time. The words you left
are still smoldering like the cigarette left in my ashtray as if it were
a dying star. The thin thread of its smoke is caught on the ceiling.

When love is threatened, the heart crackles with anger like kindling.
It’s lucky we are not like hippos who fling dung at each other
with their ridiculously tiny tails. Okay, that’s more than ten
things I know. Let’s try twenty five, no, let’s not push it, twenty.
How many times have we hurt each other not knowing? Destiny
wears her clothes inside out. Each desire is a memory of the future.

The past is a fake cloud we’ve pasted to a paper sky. That is
why our dreams are the most real thing we possess. My logic
here is made of your smells, your thighs, your kiss, your words.
I collect stars but have no place to put them. You take my breath
away only to give back a purer one. The way you dance creates
a new constellation. Off the Thai coast they have discovered

a new undersea world with sharks that walk on their fins.
In Indonesia, a kangaroo that lives in a tree. Why is the shadow
I cast always yours? Okay, let’s say I list 33 things, a solid
symbolic number. It’s good to have a plan so we don’t lose
ourselves, but then who has taken the ladder out of the hole
I’ve dug for myself? How can I revive the things I’ve killed

inside you? The real is a sunset over a shanty by the river.
The keys that lock the door also open it. When we shut out
each other, nothing seems real except the empty caves of our
hearts, yet how arrogant to think our problems finally matter when
thousands of children are bayoneted in the Congo this year.
How incredible to think of those soldiers never having loved.

Nothing ever ends. Will this? Byron never knew where
his epic, Don Juan, would end and died in the middle of it.
The good thing about being dead is that you don’t have to
go through all that dying again. You just toast it. See, the real is
what the imagination decants. You can be anywhere with
the turn of a few words. Some say the feeling of out-of-the-body

travel is due to certain short circuits in parts of the brain. That
doesn’t matter because I’m still drifting towards you. Inside you are
cumulous clouds I could float on all night. The difference is always
between what we say we love and what we love. Tonight, for instance,
I could drink from the bowl of your belly. It doesn’t matter if
our feelings shift like sands beneath the river, there’s still the river.

Maybe the real is the way your palms fit against my face,
or the way you hold my life inside you until it is nothing at all,
the way this plant droops, this flower called Heart’s Bursting Flower,
with its beads of red hanging from their delicate threads any
breeze might break, any word might shatter, any hurt might crush.

“Ten Things I Know,” Richard Jackson (via clavicola)

(Source: commovente)

Tuesday, March 6, 2012

In Which the Poet Doesn’t Sleep

thetargetbird:

Moon’s an umbrella caught rolling
in night’s samba, the best of me
still too self conscious to dance
with an asking shadow. The hull
tips and cascades a galaxy into
the forward compartments, the x-ray
will show most of its denser momentum
was never seen at all. I leapt when
I thought we had drowned,
the floor done spinning about
the day’s array, and passed around
the couch for another sip of sleep.

-C.S. Henderson

I Will Not Teach Others How To Fly.

mister-selfdestruct:

A finger held to lips
to silence independence
free thinking is contagious
so keep it to yourself
don’t ask anything
that I cannot answer
just accept your fate
middle class mediocrity

Thinking is dangerous
it could make you dream
that you deserve more
than the life of a slave
so keep your mouth shut
or the others might hear
where would any of us be
if we all were free?

wazzaman123:

I was happy to have a poem of mine used on the Kia Kaha guitar donated to Canterbury Museum. It was written in the aftermath of the February 22, 2011 earthquake in Christchurch, New Zealand. NZ Radio and TV personality Gary McCormick wrote the other poem.

7 other guitars made from demolition timber sourced from historic and notable buildings damaged in the earthquakes were auctioned to raise money (NZD$111,000) for the Christchurch music community. (See Heart Strings note below).

The text of my poem is slightly amended from the version that was originally posted on Tumblr and reads:

Grey - silt like talc but dirty

The lost, the missing, the grieving

And then the earth quivers again; but last

before I turn head down towards a cracked home,

a child’s smile

and all is right with the world after all.


Kia kaha

From Wikipedia, the free encyclopedia

Kia kaha is a Māori phrase used by both the Māori and Pākehā (European) people of New Zealand. It means be strong and is used as an affirmation. The phrase has significant meaning for both the Māori and Pākehā people of New Zealand. Popularised through its usage by the 28th Māori Battalion during World War II, it has been in use since and is regularly found in titles of books and songs, as well as a motto.

For more information on the Heart Strings Guitar Project and the musicians and other personalities involved with this project go to: http://www.heartstringsnz.co.nz/

Wednesday, February 22, 2012
What is hell? Hell is oneself.
Hell is alone, the other figures in it
Merely projections. There is nothing to escape from
And nothing to escape to. One is always alone.
T.S. Eliot, The Cocktail Party (via munstersandghosts)

(Source: liquidnight)

Tuesday, November 15, 2011
artemisdreaming:

Above:  Shoen Uemura “Waiting for the Moon”, 1926  Kyoto Municipal Museum of Art
.
Since encountering my beloved
While I dozed,
I have begun to feel
That it is dreams, not reality,
On which I can rely.                      
. 
Ono no Komachi  (Tr. Helen Craig McCullough)

artemisdreaming:

Above:  Shoen Uemura “Waiting for the Moon”, 1926 Kyoto Municipal Museum of Art

.

Since encountering my beloved

While I dozed,

I have begun to feel

That it is dreams, not reality,

On which I can rely.                      

Ono no Komachi  (Tr. Helen Craig McCullough)

Sunday, November 13, 2011